大象视频

2024 International Conference: Inflections

Memorials to Victims of Demolition

International Proceedings

Author(s): Scott Aker

Over the past decade, Philadelphia has faced significant urban challenges, highlighted by 12 demolition collapses from 2013 to 2023. This paper explores how an introductory design studio engages with these urban traumas, inviting students from diverse academic backgrounds鈥攊ncluding business, medicine, and design鈥攖o tackle their first design project. The studio fosters critical thinking and interdisciplinary dialogue by focusing on demolition, resulting in innovative memorial typologies that integrate product, landscape, and architec卢tural interventions. Situated in Philadelphia鈥檚 historic North Mantua neighbor卢hood, the studio鈥檚 projects for Victims of Demolition address complex site selection challenges, offering choices among urban infill, edge, and void conditions. These settings allow students to explore different urban dynamics and apply their designs contextually. Collaborations with local organizations like 鈥楤uild As You Live Here鈥� significantly shape the students鈥� approach, enhancing their understanding of the interplay between architectural design and urban context. The studio uses collaborative social justice research and photo narratives to help students articulate their design concepts and grasp the thematic foundations of their projects. This method encourages students to develop visual narratives that guide their design process, fostering a rich dialogue on urban commemoration. This paper categorizes the students鈥� projects into five thematic memorial types: fragments, acti卢vated edges, retreat spaces, amplification, and extraction. Each theme challenges traditional notions of memorials and incorporates social justice elements, emphasizing the impor卢tance of community engagement and sustainable practices. By emphasizing the pressing social concerns related to victims of demolition, the studio highlights the essential role of educational initiatives for social justice studios. This paper illustrates how the end of a building can mark a new begin-ning and serve as a transformative design-thinking process for beginning designers in foundational studios.

Volume Editors

ISBN
978-1-944214-49-4